Wood Engraving with Peter McLean
Beginner to intermediate level
Saturday & Sunday 17 & 18 September 2022
10am - 4pm
$315 / Members $295
BOOKING CODES: PMWE22
Number of participants: 8
BOOK NOW
Saturday & Sunday 17 & 18 September 2022
10am - 4pm
$315 / Members $295
BOOKING CODES: PMWE22
Number of participants: 8
BOOK NOW
Description of Workshop
Wood engraving is a form of relief print that enables the creation of exquisitely detailed, yet graphic images, usually on a small scale. Prints can be produced without a press and using only a small number of specialised tools, so it is suitable for those without a large studio space or budget
Wood engraving is a traditional relief printing technique utilising end-grain wood to produce highly detailed and fine scale graphic images.
They are typically small scale and printed in black and white. Wood engraving was extensively used for book illustrations up until the early 20th century.
This two-day workshop is suitable for beginners or those with some prior printmaking experience who want to explore a new technique. The workshop will cover all aspects of wood engraving including historical context, image design, block preparation, correct use of engraving tools and hand printing. Participants will produce a black and white image of their own design and print a small edition. All specialised materials and equipment will be provided.
Wood engraving is a form of relief print that enables the creation of exquisitely detailed, yet graphic images, usually on a small scale. Prints can be produced without a press and using only a small number of specialised tools, so it is suitable for those without a large studio space or budget
Wood engraving is a traditional relief printing technique utilising end-grain wood to produce highly detailed and fine scale graphic images.
They are typically small scale and printed in black and white. Wood engraving was extensively used for book illustrations up until the early 20th century.
This two-day workshop is suitable for beginners or those with some prior printmaking experience who want to explore a new technique. The workshop will cover all aspects of wood engraving including historical context, image design, block preparation, correct use of engraving tools and hand printing. Participants will produce a black and white image of their own design and print a small edition. All specialised materials and equipment will be provided.
Workshop Plan
Day 1 morning – introduction, discussion of history and design strategies, viewing examples. Preparation of blocks and drawing image.
Day 1 afternoon. Carving block
Day 2 morning. Demonstration of printing, proofing images
Day2 afternoon – finishing carving, final prints
Materials/tools/equipment to be supplied by participants: Fine black felt-tip pen, like a sharpie or artliner.
If you already have engraving tools, then bring those, but no need to buy new ones, I will have plenty.
Something to take notes in, and you may want to bring sketchbook or other image sources to work from.
Day 1 morning – introduction, discussion of history and design strategies, viewing examples. Preparation of blocks and drawing image.
Day 1 afternoon. Carving block
Day 2 morning. Demonstration of printing, proofing images
Day2 afternoon – finishing carving, final prints
Materials/tools/equipment to be supplied by participants: Fine black felt-tip pen, like a sharpie or artliner.
If you already have engraving tools, then bring those, but no need to buy new ones, I will have plenty.
Something to take notes in, and you may want to bring sketchbook or other image sources to work from.
Bio of Tutor Peter McLean
Peter McLean is a Canberra based artist with a deep affinity for nature and the environment. He first studied biology and ecology and worked in science and conservation, and later studied printmaking at the ANU School of Art. Working across a range of printmaking techniques, his work explores our physical, emotional and spiritual relationships with place.
More info petermclean.com.au
Instagram @pebble_bunya
Peter McLean is a Canberra based artist with a deep affinity for nature and the environment. He first studied biology and ecology and worked in science and conservation, and later studied printmaking at the ANU School of Art. Working across a range of printmaking techniques, his work explores our physical, emotional and spiritual relationships with place.
More info petermclean.com.au
Instagram @pebble_bunya
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